作为“符号”的中国——从《诺门罕的钢铁墓场》看村上春树中国观之内涵

China as A Symbol——The Connotation in View of China Embodied in Haruki Murakami's The Graveyard of Steel in Nomonhan

本论文以村上春树的《诺门罕的钢铁墓场》为文本分析的依据,通过其与夏目漱石的《满韩处处》及村上自己的《墨西哥大旅行》的对比,从纵向的历史维度及横向的空间维度,讨论其中国观的内涵,指出村上作品及其思想中表现出的中国形象具有强烈的"符号化"特征,这是和百年以前日本知识分子的中国观以及日本近代以来的意识形态影响密切相关的。

This paper first compares Haruki Murakami＇s The Graveyard of Steel in Nomonhan with Natume Souseki＇s Travels in Manchria and Korea,and then The graveyard of Steel in Nomonhan with The Travel in Mexico.Based on these comparisons from both historical and spatial dimensions,this paper analyses the symbolic image of China in Haruki＇s works and his thinking,and points out the connotation in his view of China.