“狂狷入圣”——论诸葛亮形象的“狂狷”底蕴

"Arrogant into Saint."——On the image of Zhu Geliang "arrogant" heritage

诸葛亮形象超凡入圣的高度,至唐代已经形成,而其近于神乎其神的形象则主要由于《三国演义》的塑造。《三国演义》写诸葛亮形象并非一出场即定型,以后再无变化,而是"由狂狷入",具体则是以其应刘备"三顾"出山为转折,由一位"狷者有所不为"的隐士,转变为"狂者进取"的圣者。但其作为"圣人"进而神乎其神的形象底蕴,仍是其"狂狷"的性情,故曰"狂狷入圣"。

The image of Zhu Geliang is shaped by the ＂Romance of the Three Kingdoms＂. In ＂Romance of the Three Kingdoms＂ he is not set the image at the beginning. As the story goes on, he becomes ＂crazy spirit＂ of the saints from a ＂person not to do something＂ hermit.