摘要
"中国传统文化内蕴与20世纪古典主义中国化"此一研究命题的提出,将别开生面地触及到意味很重的中国文学理路生变之历史图景及满溢张力的多重文化视境之极致外射。这里极有必要勘探三大隐而不彰的文学现象:一是中国传统文化与古典主义审美理想,二是20世纪古典主义中国化的历史境遇投射,三是人文精神危机与古典主义审美传统之现代审视。此一视角撰写的初衷在于:首先着眼于凸显20世纪中国现代文学建构对自身古典传统文化资源之吸收、转化与应对,依然秘而不宣地保持着某种根本性的承袭与审美认定;其次则为20世纪现代中国文坛中这股被多数人盲视的古典主义思潮之历史现状、生变流迹及递嬗变迁的显现范式,提供了一种绵密而深邃的现代性反思、检视与批判之向度与深度。
The present topic presents a historical panorama of the evolution of Chinese literary concepts as well as a vivid muhi-euhural view of vigorous tension. Here it is extremely necessary to explore and reveal three literary phenomena, i.e. : ( 1 ) traditional Chinese culture and the aesthetical ideal of classicism ; (2) historical-context projection of the localization of classicism in the 20th-century China, and (3) crisis of hu- manism and the modernist review of the aesthetical tradition of classicism. The perspective of this paper aims first to highlight modem Chinese literature' s absorption and transformation of and responses to its own herit- age, in which some basic principles of inheritance and aesthetical recognition have been observed, and sec- ondly to offer a perspective of reflection, review and criticism that reveals the history, status quo and evolution of the classicism that have largely been ignored by the modem Chinese literary circles in the 20th century.
出处
《浙江师范大学学报(社会科学版)》
北大核心
2012年第6期13-21,共9页
Journal of Zhejiang Normal University(Social Sciences)
关键词
古典主义
审美传统
学衡派
欧文·白璧德
人文精神
classicism
aesthetical tradition
the Xue-Heng School
Irving Babbitt ( 1865 1933 )
hu- manism