从“传神写照”解读傅雷的翻译“神似论”

“Lifelike Portrait”and the Research on Fu Lei’s “Spiritual Resemblance Theory”of Translation

从"神似"一词的源头"传神写照"的辩证和阐释上来看,傅雷的"神似论"是建立在绘画艺术主观审美感受基础上的一种翻译评论,实际上是对译者提出了更高的美学要求。傅雷的翻译经验和主张反映了他的翻译实践与"传神写照"的理念不谋而合,印证了艺术需以"形"写"神",方能"形"、"神"兼备的必然规律。

The origin of ＂spiritual resemblance＂ is ＂Chuan Shen Xie Zhao＂ （lifelike portrait）. Fu＇s ＂spiritual resemblance theory＂ of translation is based on subjective aesthetic feeling in painting art and makes a higher aesthetic request to the translator. Fu＇s translation experience and thought show that his translation practice agrees with ＂Chuan Shen Xie Zhao＂ （lifelike portrait） and proves that ＂spiritual resemblance＂ is achieved by means of form resemblance.