期刊文献+

Reforming Connoisseurship: State and Collectors in Shanghai in the 1950s and 1960s 被引量:1

Reforming Connoisseurship: State and Collectors in Shanghai in the 1950s and 1960s
原文传递
导出
摘要 This paper examines the relationship between the state and art collectors during the 1950s and 1960s in Shanghai. It explores how the state gained control over art and collecting, by building state museums, by co-opting connoisseurs and their collections, and by extending "socialist transformation" to the antiquities market in 1956. However, state control was far from complete, and some trade in antiquities continued outside of official channels. To crack down on this illegal trade, cultural authorities in Shanghai launched a Five-Antis Campaign in 1964 to punish alleged art speculators. Through its cultural institutions and political campaigns, the state controlled culture but did not monopolize it. This paper examines the relationship between the state and art collectors during the 1950s and 1960s in Shanghai. It explores how the state gained control over art and collecting, by building state museums, by co-opting connoisseurs and their collections, and by extending "socialist transformation" to the antiquities market in 1956. However, state control was far from complete, and some trade in antiquities continued outside of official channels. To crack down on this illegal trade, cultural authorities in Shanghai launched a Five-Antis Campaign in 1964 to punish alleged art speculators. Through its cultural institutions and political campaigns, the state controlled culture but did not monopolize it.
作者 Denise Y. Ho
出处 《Frontiers of History in China》 2012年第4期608-637,共30页 中国历史学前沿(英文版)
关键词 Shanghai Museum Five-Antis campaign art collectors Shanghai Museum, Five-Antis campaign, art collectors
  • 相关文献

参考文献38

  • 1Brown, Shana. Pastimes: From Art and Antiquarianism to Modern Chinese Historiography. Honolulu: University of Hawai'i Press, 2011.
  • 2Clunas, Craig. Superfluous Things." Material Culture and Social Status in Early Modern China. Honolulu: University of Hawai'i Press, 2004.
  • 3Elliott, Jeannette Shambaugh, and David Shambaugh. The Odyssey of China's Imperial Art Treasures. Seattle: University of Washington Press, 2005.
  • 4Feng Xiaocai. "Rushing Toward Socialism: The Transformation and Death of Private Business Enterprises in Shanghai, 1949-1956." In The People's Republic of China at 60: An International Assessment, 240-58. Edited by William C. Kirby. Cambridge, MA: Harvard University Asia Center, 2011.
  • 5Fresnais, Jocelyne. La protection du patrimoine en ROpublique populaire de Chine." 1949-1999.Paris: tditions du C.T.H.S., 2001.
  • 6Guangming ribao (Guangming daily).
  • 7Guoyunlou shuhuajicui (Treasury of paintings and calligraphy from Guoyun Lou). Shanghai: Shanghai shuhua chubanshe, 2002.
  • 8v Ho, Denise. "Revolutionizing Antiquity: The Shanghai Cultural Bureaucracy in the Cultural Revolution, 1966-1968." The China Quarterly, no. 207 (2011): 687-705.
  • 9Hu Xilin. "Qian Jingtang he ta shoucang de yantai" hp:// www.xlysauc.com/appreciate/ wfyy/2009qiupaizhounianpaimaijingpird2010-02-23/1065.html, accessed Jul. 6, 2012.
  • 10Li Junjie. "Wenbo sanshi nian quzhe lichen" (Thirty years of complicated progression in cultural relics and museums). In Fengyu licheng: 1949-1978 (Trials and hardships: 1949-1978), 192-215.

引证文献1

二级引证文献3

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部