杜琪峰电影:互文性影像书写与隐喻式风格表达

Johnnie To’s Films: Intertextuality Image Writing and Metaphorical Style Expression

研究杜琪峰电影不能离开同类型的香港电影文本,也不能孤立地只读解他诸多作品中的一部。互文性文本需要从垂直和水平两个维度进行展开和分析,这有助于我们揭示杜琪峰电影内在的审美价值。杜琪峰电影之所以被看作是一类充满浪漫、象征色彩极强的作品,与他一贯的创作倾向及其宿命式的价值观念密不可分,由此形成了人物命运的不可知和人生的荒诞为特色的隐喻风格。

Johnnie To＇s films can not be separated from Hong Kong Film text, or be isolated in his many works. Intertextuality texts are analysed from both vertical and horizontal dimensions. This will help us to reveal the films＇ intrinsic aesthetic value. The films are seen as a class full of romance and symbol works, and connected with his consistent creative tendencies and fate values. Then we find in his films that are full of unknowable absurdity of life.