摘要
作为一部同时涉及女性欲望和"文革"题材的电影,《太阳照常升起》将具有"政治暴力"象征性的时间概念和平静祥和的乡村场景这两种并不和谐的因素放置在一起,使影片达到陌生化效果的同时,也暗示了女性与暴力存在复杂的关系。而影片中作为事实暴力行为的实施者的男性大多是被动而为,最终却总是以胜利者或正义者的面目出现,这充分显示了一种男权文化的"自恋"意识。
The Sun Also Rises , a film concerning the topic of the female desire and the Cultural Revolution, symbolized Political Violence together with peaceful rural life , with which it is incompatible each other. The film not only seeks the effect of unfamiliarization , but also indicated a complicated relationship between women and violence. This fully displayed the Narcissistic consciousness in the Male Chauvinist Culture.
出处
《鸡西大学学报(综合版)》
2012年第12期116-117,共2页
JOurnal of Jixi University:comprehensive Edition