清代《西厢记》人物批评及其美学价值论析

On the Aesthetic Value of the Qing Dynasty Character Criticism of the Romance of the Western Chamber

清代《西厢记》人物批评,是中国古典戏曲学从曲学体系向叙事学和剧学体系转向之后的产物,反映了戏曲文学人物中心观念与人物批评意识的自觉。在批评过程中呈现以"神韵"写意、以"情理"写照和关注人物形象体系中不同性格互动关系等诸种批评标准多元并存的态势,充分反映了清代戏曲人物论的审美追求和所达到的理论高度。

The comments and criticism on figures in the Romance of the Western Chamber demonstrate a transfer from the system of music to the system of drama in the study of Chinese classic opera,reflecting a self-consciousness of character centered idea and character criticism in classic opera literature study.In the process of criticism,diversified standards of criticism such as emphasizing spirit and charming,reflecting emotion and reason,paying attention to character system and the contrast between different figures,etc.,have appeared,indicating the theory of opera character and its aesthetic pursue in Qing dynasty has reached a new level.