摘要
作曲家的"立意"必然来自对生活的观察。陕西的地上和地下文物都很丰富,许多文化资源还在等待我们的发掘和利用。以实际行动去壮大"长安乐派"的特色,使其生命力随着时代的发展而永驻。《明妃怨》采用三部分结构,用它描写出明妃的品行和感叹的陈述。重构《明妃怨》单一的旋律音乐成为多声织体,使音乐具有纵向、横向关系的结构形态,使音乐在纵、横上形成新的、符合时代审美要求的组织形式。
Composers' themes certainly come from their close observations about everyday life. Shaanxi province is abundant in histori- cal relics under and above the ground, so many cultural resources wait to be discovered and utilized, which calls for immediate action to expand the feature of "Chang'an Musical School" so that it can flourish with the development of the times. Comprised of three parts, Lament of Lady Wang Zhao Jun depicts Lady Zhao Jun's conduct and lament. Reconstructing of the singular melodious music into mul- tiple voice texture will enable music to take on the structure of vertical and horizontal relationship, which can present music in a new form that is in line with the aesthetic requirements of the times.
出处
《西安文理学院学报(社会科学版)》
2012年第6期98-100,共3页
Journal of Xi’an University(Social Sciences Edition)
基金
陕西省文化厅立项课题<西安鼓乐〈明妃怨〉现代化
交响重构(改编)理论与实践探索>(201073)的成果之一
关键词
陕西文化
长安乐派
多声部音乐
织体
Shaanxi culture
Chang'an musical school
counterpoint
texture