摘要
长期以来,女性的身体隐失在男性话语中,失去了自身独立存在的价值。新时期以来,陈染、林白等女作家的创作打破了文学书写的身体禁忌,将笔触深入到女性独特的身体体验,在一定程度上促进了女性自身的解放,对于女性寻回失落在男性话语中的自我有着积极的意义。但是,由于男女二元对立的创作思维方式,以及对西方"身体写作"理论的误读与消费文化的侵蚀,女作家们的身体书写存在着明显的缺陷。
For a very long period of time, the bodies of women are hidden in male discourse, and lose their inde-pendent existence value. Since the new period, Chen Ran, Lin Bai and other female writers break off the taboos writing body in literature, and record unique female body experience. In feminist writings, the body writing pro-motes women's liberation to a certain extent on the one hand and becomes the tool to liberate the female and find their egos which are lost in the male's language on the other. However, the body writing by female writers has ap- parent defects, due to the binary opposition thinking mode between the two men and women creation, misunder-standing "body writing" on the western theory and consumption cultural erosion.
出处
《常熟理工学院学报》
2012年第9期84-87,共4页
Journal of Changshu Institute of Technology
基金
湖南人文科技学院校级青年基金项目"新时期身体写作研究"(2010QN22)
关键词
女性
男权
误读
消费文化
female
male chauvinism
misreading
consumer culture