摘要
以女性主义视角反思西方音乐历史的发展与演变,是在20世纪60、70年代女性主义运动及女性主义文艺思潮的基础上发展的,并成为美国"新音乐学"(New Musicology)的重要分支,影响了90年代之后美国音乐学的发展走向。自此,以前备受忽视的女性和性别问题得到音乐学界的重视。本文主要从学术观点讨论女性主义音乐批评的学术历程及其影响。
Based on the Feminist movement and the Feminist trend of thought in literature and art in the 1960s and 1970s,reflections on the development and evolution of western music history from the feminist perspective have become an important branch of American"New Musicology" and influenced the development trend of American Musicology after the 1990s. Since then, previously overlooked women and gender issues have got the attention of the academia in music. This article mainly discusses the academic course as well as the influence of feminist music criticism from the academic point of view.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2013年第1期77-83,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
女性主义
音乐批评
美国
新音乐学
Feminist
music criticism
American
new musicology