期刊文献+

美国女性主义音乐批评的学术历程 被引量:5

The Academic Course of Feminist Music Criticism in America
下载PDF
导出
摘要 以女性主义视角反思西方音乐历史的发展与演变,是在20世纪60、70年代女性主义运动及女性主义文艺思潮的基础上发展的,并成为美国"新音乐学"(New Musicology)的重要分支,影响了90年代之后美国音乐学的发展走向。自此,以前备受忽视的女性和性别问题得到音乐学界的重视。本文主要从学术观点讨论女性主义音乐批评的学术历程及其影响。 Based on the Feminist movement and the Feminist trend of thought in literature and art in the 1960s and 1970s,reflections on the development and evolution of western music history from the feminist perspective have become an important branch of American"New Musicology" and influenced the development trend of American Musicology after the 1990s. Since then, previously overlooked women and gender issues have got the attention of the academia in music. This article mainly discusses the academic course as well as the influence of feminist music criticism from the academic point of view.
作者 宋方方
出处 《黄钟(武汉音乐学院学报)》 CSSCI 北大核心 2013年第1期77-83,共7页 Huangzhong:Journal of Wuhan Conservatory of Music
关键词 女性主义 音乐批评 美国 新音乐学 Feminist music criticism American new musicology
  • 相关文献

参考文献9

  • 1苏珊·麦克拉蕊著、张馨涛译.阴性终止:音乐学的女性主义批评[M].台北市:商周出版社,2003:38.
  • 2S. C. Cook and J. S. Tsou, eds. Cecilia Reclaimed: Feminist Perspectives on Gender and Music, Urbana and Chicago:Uni- versity of Illinois Press, 1994: 3.
  • 3Ruth Solie," ' Sophie Drinker' s History,"InDisciplining Music :Musicology and Its Canons, edited by Katherine Bergeron and Philip V. Bohlman. Chicago and London: University of Chicago Press,1992:23-43.
  • 4S. C. Cook and J. S. Tsou, eds. Cecilia Reclaimed: Feminist Perspectives on Gender and Music, Urbana and Chicago:Uni- versity of Illinois Press, 1994: 3-4.
  • 5Susan McClary. "Reshaping a Discipline: Musicology and Feminism in the 1990s", InFeminist Studies, Vol. 19, No. 2, Women's Bodies and the State (Summer, 1993) : 402.
  • 6Jeffrey Kallberg. "Gender", In Stanley Sadie. The New Grove Dictionary of Music and Musicaians, London: Macmillan Publishers Limited, Vol 9,2001:645.
  • 7Jeffrey Kallberg. "The Harmony of the Tea Table: Gender and Ideology in the Piano Nocturne", Representations, No. 39 (Summer, 1992) : 102-133.
  • 8汤亚汀.社会性别与音乐[J].交响(西安音乐学院学报),2003,22(2):54-58. 被引量:44
  • 9Carol Neuls-Bates. "Sources and Resources for Women's Studies in American Music: A Report", Notes, Second Series,Vol. 35,No. 2 (Dec,1978):p269-283.

二级参考文献6

  • 1M.Herndon."Epilogue,ThePlaceofGenderwithinCom-plex,DynamicMusicalSystems"[].MusicandGender.2000
  • 2E.Koskoff."WomeninMusic"[].TheNewGroveDictionaryofMusicandMusicians.1999
  • 3.Foreward[].MusicandGender.2000
  • 4M.Slobin."MicromusicsoftheWest:AComparativeAp-proach"[].Ethnomusicology.1992
  • 5M.Stokes."Introduction"[].EthnicityIdentityandMusicTheMusicalConstructionofPlace.1994
  • 6.ContemporaryTheoreticalIssuesin"Ethnomusicology"[].TheNewGroveDictionaryofMusicandMusicians.1999

共引文献43

同被引文献34

二级引证文献11

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部