摘要
"同均三宫"原理是均、宫、调三层次概念的综合反映,其内涵单纯,音律数理逻辑严密。"均"体现的是"七个音律(位)";"宫"代表的是"九声系统"。"七律"与"九声"相互结合,必然形成三种结构形态,表现为三种不同的"乐调系统"和"音乐风格",这就是"同均三宫"。
The principle of "Tongjun Sangong (a set of note include three modes)" is comprehensive reflection of the three levels of conceptions: Jun,Gong and tonal,with its contents simple,and the strict logic of temperament mathematical. "Jun" is embodied the "seven-temperament (place)", "Gong" representative of "nine tone system" . That both the "seven-temperament" and "nine tone" combined each other, would form three kinds of structure patterns,resulted of three different kinds of "tonal system" and "music style" that is the "tongjun sangong (a set of note include three modes)".
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2013年第1期138-143,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
教育部人文社会科学规划基金项目<黄翔鹏"宫调学"理论体系研究>(课题批准文号:12YJA760039)的主要成果之一
关键词
同均三宫
音律法则
七律
九声
律位
律高
Tongjun Sangong (a Set of Note Include Three Modes)
Rule of Temperament
Seven-Temperament
Nine Tone