摘要
(一)坐腔是二人台的母体艺术,孕育和衍生了许多二人台小戏。二人台要分类,分为二人台综合艺术、坐腔音乐、坐腔中的山曲。传统曲目《走西口》不断在传承中创新,表现出蓬勃的生命力。(二)应该允许二人台有各种各样的艺术发展形式。必须指出,二人台走戏曲的路会十分困难,应当走地方新歌剧的路。(三)二人台的改革与发展,一要普及坐腔文化大院,二要健全二人台文化景观,三要坚持宜小不宜大,四要建立"三合一"的运作模式。
Zuoqiang is a parent art of "Er Ren Tai", and has promoted many two - person operas. "Er Ren Tai" is divided into Er Ren Tai Gesamtkunstwerk, Zuoqiang music, and Moutain tunes. The traditional drama "Struggle to Xikou" develops and inovates, showing vigorous vitality. A variety of art forms of Er Ren Tai should be allowed is its development. It must be pointed out that, it would be very difficult if Er Ren Tai develops as the tradi- tional drama, thus it should develops as an local new opera. In developing and reforming Er Ren Tai, we should pop- ularize the cultural compound, perfect the cultural landscape of Er Ren Tai, and establish a "three - in - one" mode of operation.
出处
《阴山学刊》
2012年第6期81-84,共4页
Yinshan Academic Journal
关键词
二人台
坐腔
分类
地方新歌剧
改革
Er Ren Tai
Zuoqiang
Classification
Local new opera
Reform