论汤显祖“唯情”论的理论与实践意义

On Tang Xianzu's "Only Love" Theory and Practical Meaning

汤显祖在明中叶人文主义思潮影响下创作出"临川四梦",并在其戏曲实践基础上建构起"唯情"论,以此作为反抗封建专制礼教的一面旗帜,具有一定的进步意义。同时,汤显祖在戏曲创作实践和创作理论上重才情的观点同沈璟重音律的观点碰撞而呼应,形成了戏曲史上著名的"汤沈之争",而"唯情"论在这场碰撞交流中亦得到了进一步的深化。

In the middle of Ming Dynasty, Tang Xianzu creates ＂Four Dreams of Linchuan＂ under the influence of humanism, and constructs the ＂Only Love＂ theory on the basis of the drama practice, which can be seen as a rebellion against the feudal autocratic Confucianism banner. This bears a certain progressive meaning. At the same time, Tang Xianzu＇s talent view in drama practice and writing with Shen Jing＇s stress on accent form the famous ＂Dispute of Tang and Shen＂in drama history. In the collision and exchange, the ＂Only Love＂ theory has been further deepened.