祭祀音乐中的权力文化与社会秩序——以麻山苗族地区丧葬仪式中《亚鲁王》演唱为例

The Power Culture and Social Order in Sacred Music:A Case Study of Singing Ya-Lu King in the Funeral Rites in the Areas of Ma-shan Miao Nationality

祭祀是一种民间信仰,代表了一种社会文化,能够反映一个国家一个地区的政治、经济、权力、社会秩序与生活理念。音乐作为传递人情感文化的媒介和工具,在祭祀活动的展演中同样发挥着对国家及社区文化解读的功能。丧葬作为重大的人生礼仪,活动中的祭祀音乐便被赋予了特定的文化内涵和意义,本文通过对麻山地区丧葬中祭祀音乐在不同语境下的解读,折射出了这个社区对权力的崇拜和稳定的社会秩序。

Sacrifice is a folk worship, representing a social culture and thus it can reflect the pohtics, economy, power, social order and life philosophy of an area in a nation. Music as a media to convey affective culture makes an interpreta- tion of a national or community culture in the sacrifice activities. The music in funeral rites is endowed with specific cul- tural connotation and its interpretations made in different contexts reflect the worship for power and a stable social order in the Ma- shan Miao Nationality Areas.