摘要
文章就钢琴协奏曲协奏模式的探索与创新问题展开探讨。重点聚焦在:1.两种既有协奏模式的制约性与局限性;2.新型协奏模式(双排键电子琴协奏)的可行性与适用性。通过分析、比较、阐释和论证,进一步开发和利用双排键电子琴的交响化音效及其相关功能,为钢琴协奏曲的专业教学、艺术实践和学术研究等提供一种新型的协奏模式,将会是一种具有可操作性和普适性,并有利于学科艺术发展的方法和途径。
This article discusses about the exploration and innovation of the modes in piano concertos,focusing on two aspects: the conditionality and limitation in two existed modes of concerto;the feasibility and applicability of new modes in concerto(electronic organ concerto).The main purpose of this article is to illustrate that the exploration and utilization of the orchestral sound effects and other related functions of electronic organ concerto will supplement the professional teaching,practice and study of piano concerto as a new-type mode;it is an operable and universal method and approach in this discipline.
出处
《音乐探索》
CSSCI
2012年第4期88-92,共5页
Explorations in Music
基金
四川省教育厅重点科研课题"钢琴协奏曲交响化协奏模式(双排键电子模式)的探索与应用"的研究成果之一
项目编号:10SA045