摘要
唐朝近体诗是从南朝“永明体”直接脱胎而来的 ,而“永明体”的形成受到了由印度传入的佛教文化的很大影响。四声标调的确立 ,除了外来因素外 。
The rhymed poetry in the Tang Dynasty found its origin in the ‘Yong Ming Style’ which took shape under the influence of the Budda culture from India. Apart from foreign influence, the inner law of the Chinese language itself also contributes to the make up of the four tonal patterns in Chinese poetry.
出处
《南京理工大学学报(社会科学版)》
2000年第3期15-18,共4页
Journal of Nanjing University of Science and Technology:Social Sciences