《南曲九宫正始》[狮子序]曲牌的宫调归属论析

A Study on the Tune Sort of Shizi Xu in Nanqu Jiugong Zhengshi

[狮子序 ]的宫调归属在诸曲谱中历来混乱。本文从句格、联套和声情三个方面展开论证 ,考察其宫调归属。《琵琶记》以前的作品尚未独立联套 ,而明末曲谱将《刘智远》与《琵琶记》的 [狮子序 ]曲词通用 ,故该宫调的归属不易判断。但在大多数戏曲作品中 ,[狮子序 ]为“生”与“旦”所用曲牌 ,宜于生旦抒情长套 ,常以数曲叠用。据此从声情上判断 ,《南曲九宫正始》将之归入【南吕】是允当的。

What sort of tune that Shizi Xu belongs to in the Chinese traditional opera tune system had been in confusion for a long time.The thesis anslyses the question according to the rules and forms of tune(ju ge),cyclical forms(lian tao)and emotion of tune(sheng qing).It is difficult to judge the sort of tune of ShiziXu for two reasons.First,there was no cyclical form in Chinese traditional opera before Pipa Ji came into being.Second,the tune of Shizi Xu was shared by both Liu Zhiyuan and Pipa Ji.However,being suitable to express the singer's feelings when being repeated,Shizi Xu was mainly written out for heros and heroines in many operas.The thesis concludes that it is appropriate for Shizi Xu to submit to Nanlu Gong in Nanqu Jiugong Zhengshi in the light of emotion.