同类民间传统艺术在多民族语境中发展探究——对连厢艺术的再认识

The Study of Similar Traditional Folk Arts’Development in the Multi-ethnic Groups Context ——Rethinking about the Lianxiang Art

连厢艺术目前被多个地区和民族申报为本土的非物质文化遗产。然而人们对连厢艺术依然存在诸多误解、混淆与争议,具体表现在连厢艺术的定名繁杂,传说多样,学术界对其发源考证存疑。而连厢作为多民族所共有的非物质文化遗产,以多民族的视角对其发源以及艺术特征的进行重新的认识对其今后的发展繁荣具有重要意义。

Nowadays Lianxiang art has been declared as the local intangible cultural heritage by multi-regions and multinationals,but people still misunderstand,confuse and dispute this kind of art.Particularly it shows that there are numerous alternative names of this art,various stories about this art,and the controversial conclusion of its originate which made by the researchers.Lianxiang art as a common intangible cultural heritage which belongs to different ethnic groups,it is significant to rethink about its originate and art characteristic in the perspective of multi-ethnic groups to thrive this traditional folk art in the future.