论王羲之及其《兰亭集序》的审美观

A Brief Discussion on the Aesthetic Standards of Wang Xizhi and His "Preface to the Orchid Pavilion Collection"

东晋时期的书法家王羲之的《兰亭集序》以文人的聚会为中心,由乐而哀的情感变化可看出魏晋时代人们对生死存亡的哀伤与感叹,是魏晋时期的代表作。潇洒俊逸的笔法创造了具有新艺术境界的草书——"今草"是书法史上最为重要的转折点。不论东晋或是现在,王羲之书法的造诣仍然是让我们叹为观止的。本文从《兰亭集序》中由乐而哀的情感变化阐述了东晋时期的审美趋向并上升到中华文明的审美趋向以及王羲之的书法创作对后世的影响。所以,他的书法创作,不仅是东晋时期书法审美的结晶,更是将我们中华民族的书法艺术推向了历史的高峰。

＂Preface to the Orchid Pavilion Collection＂, the master work of the Wei Jin Dynasty, was written by the great calligrapher in the Eastern Jin Dynasty called Wang Xizhi. The meeting among some literaties was the center of this book. With the emotional change that is from happiness to sadness, we can realize the sadness and sigh that survival or extinction brought to the people in the Eastern Jin Dynasty. Elegant and graceful style created the grass writing that had new artistic realm＂contemporary grass writing＂ and it was the most im portant turn in the history of calligraph. Regardless of the Eastern Jin Dynasty or nowadays, attainments of Wang Xizhi＇s calligraphic works were still acclaimed as the peak of perfec tion. According to the emotional change that is from happiness to sadness in ＂Preface to the Orchid Pavilion Collection＂, the passage stated the aesthetic tendency in that period and rise to the Chinese civilization aesthetic tendency and the influence that Wang Xizhi＇s calligraphic works？ brought to descendants. So his calligraphic works were not only the fruit of the calli graphic aesthety in the Eastern ]in Dynasty, but also things that push our Chinese calligraphic art to the historical peak.