史剧高峰中的逆现象——郭沫若历史剧创作的矛盾现象检索

Adverse Phenomenon in the Climax of Historical Plays ——Retrieval of Contradictory Phenomenon in the Creation of GUO Mo ruo's Historical Plays

:郭沫若在抗战时期创作的历史剧 ,是时代的产物 ,所有时代的矛盾在他的历史剧中都有所反映 ,且呈现出一种逆现象。这首先是战斗的需要对剧作的双面影响上 ,既表现了历史精神 ,又割裂了历史精神 ;其次表现为大我的膨胀、小我的萎缩 ;再次 ,表现为为了达到为现实服务的目的 ,剧作中大都是正义与邪恶的斗争 ,阵线分明 ,以致于出现了好人皆好 ,坏人皆坏的现象。以上几种现象既使郭沫若的剧作获得了成功 。

The historical plays created by Guo Mo-ruo during the War of Resistance Against Japan are products of the times,in which all contradictions of the times are reflected,and a kind of adverse phenomenon is shown.This idea can,in the first place,be seen from the double-side influence on the creation of the plays,due to the necessity of the warring period,presenting and separating it from historical spirit at one time.Secondly,it seems to the publicthat it has overstated,more or less,the collective spirit and to some extent,neglected the individual function.Finally,there is a dorminant subject in Guo's historical plays that the sturggle between justice and evils is overemphasized so much that it makes people to have an impression that those who are good are all good and those who are bad are all bad.What mentioned above accounts for Guo's success in his playwriting;while it is regarded as the cause for the limitation of his plays.