摘要
穆旦笔下的身体意识最早出现在《野兽》一诗中,此后,身体与穆旦的创作主题融合,成为揭示"此在"真实境遇的一种角度,通过身体揭示孤独、虚无的真实处境。不仅如此,穆旦还将这种身体意识推广到大自然之中,营造一个欲望燃烧的大自然。最终,由于不堪虚无的折磨,他把身体推上了神坛,不过,这只是一次短暂的精神慰藉。
The consciousness of human body can be traced back to Mu Dan＇s poem Beast. From then on, body consciousness blends with the theme of Mu Dan＇s poems, serving as device to show the concreteness of “Existing” so as to reveal the reality of body＇ s loneliness and nothingness. Moreover, Mu Dan spread such a body consciousness to the whole nature, creating a world of fiery desire. As a result, being unable to endure the suffering from nothingness, he put the body on a pedestal, which, however, is merely a temporary mental relief.
出处
《梧州学院学报》
2012年第5期54-58,共5页
Journal of Wuzhou University
基金
云南省教育厅科学研究项目(2011Y332)
关键词
穆旦
诗歌
身体
mu Dan
poem
human body
