数、比例与建筑形式美——以中国矿业大学(北京)民族楼、原焦作工学院工程馆为例

Number, Proportion and Beauty of Style on Architecture:Case Study of the Minzu Building of China University of Mining and Technology and the Engineering Hall of the Former Jiaozuo Institute of Technology

数、比例与建筑形式美之间存在一定的逻辑关系,这一关系在许多经典建筑中均有体现。该文阐述了数与比例在西方建筑史上经由了古埃及时期对几何的感性认识,古希腊时期对"数"的探索,在文艺复兴时期达到巅峰,并在近现代进一步发展的历程,同时亦阐述了中国古代木构建筑史上构件模数的发展,并在分析中西方相关理论、实践发展的基础上,以中国矿业大学(北京)民族楼、原焦作工学院工程馆为例,研究了中国近现代折中主义建筑中数、比例与建筑形式美的关系。

Certain relations exist between number, proportion and beauty of style of architecture, and it is embodied in lots of classic buildings. The article elaborates the cognitive process in the history of western architecture, the numbers and scale, through the perceptions of geometry in ancient Egypt times and the exploration of ＂number＂ in ancient Greece times, reached its peak during the Renaissance period, and further developed in modern history. And also it elaborates the development of component module in the history of ancient Chinese wooden architecture. Through making a summary on theoretical and practical achievements in China and in the West, this paper tries to study the relation between number, proportion and beauty of style in eclectic architectures in Chinese modern and contemporary history by analyzing two buildings as subjects. One is the Minzu Building of China University of Mining and Technology （located in Beijing）, and the other one is the Engineering Hall of the former Jiaozuo Institute of Technology.