摘要
在庄子的身体理论视域中,对通感体验发生的身体主体情态进行哲理层面的反思与考察。庄子以气构生的身体观念与中古通感审美体验存在勾连关系,通感体验的特性不仅在五官感官的互通,其本质应在超越具体感官层面的生命一体融通,甚而物我一体会通。以欧洲象征主义诗学的哲思考察为参照,见出通感体验是中古主导文化观念支持的中古审美体验模式的普遍性特质。
Based on Qian Zhongshu’s essay 'Synaesthesia', this paper is a philosophical reflection and research on the body subject of synaesthesia from the perspective of Chuang Tse's body theories. It studies the relation between Chuang Tse's concept of body as constructed by Qi and the mid-ancient aesthetic experience of synaesthesia, and reveals the experience of synaesthesia means exists not only in sensory perception but also in Jing-Qi-Shen of the whole body above the level of particular senses. It even integrates thebody subject and the object. Referring to the philosophical investigation of European symbolic poetics, it concludes that the three-level experience of synaesthesia is the speciality of Classical Chinese aesthetic experience based on the dominant culture of the mid-ancient times.
出处
《汕头大学学报(人文社会科学版)》
2012年第6期33-38,91-92,共6页
Journal of Shantou University(Humanities and Social Sciences Edition)
基金
国家社科基金青年项目"先秦儒道身体观的美学意义再考察"(10CZX049)
关键词
气
神
通感
感官感知
身体主体
Qi
Shen
synaesthesia
sensory perception
body subject