清末民初“新诗”与“新歌”的合流与分化——以赵元任《新诗歌集》为中心

Discuss on the Confluence and differentiation between poetry and song in the late Qing dynasty and the beginning of the Republic of China ——Focus on the ZHAO Yuan ren's New poetry collection

晚清时期,梁启超等提出诗词合乐的构想。文学、音乐改良者携手创制乐歌,试图完成"新诗"与"新歌"一体的转换。但由于两种文体的差异,诗人的创作往往并不能适应谱曲的需要。民国初年,"诗""歌"合流逐渐成为新音乐和新诗发展的阻碍,在赵元任《新诗歌集》中鲜明地呈现出二者的矛盾。民国初年,龙榆生提出"新体乐歌"的概念,标志着"新诗"与"新歌"的分化。

In the late Qing Dynasty, LIANG Qi chao put forward the idea of poetry modified, music reformers together to create new genre song, trying to combined with the poetry and song. However, due to the two stylistic differences, the poet＇s creation, and often can not adapt to the need to compose. In the beginning of the Republic, this idea which want to combined with poem and Song gradually become a new music and poetry development obstacles, ZHAO Yuan ten＇ s New poetry collection clearly showing the con- tradiction. LONG Yu sheng proposed the concept of the new genre song, and marks the differentiation of poetry and song.