摘要
《点石斋画报》作为晚清文化界的一个标志性事件，开启了中国近代雅俗共赏的“画报”体式。它兼及“新闻”与“美术”，不仅为我们保留了晚清社会的诸面相，还让我们体会到中国美术的嬗变。
Dian Shi Zhai Pictorial,a symbolic publication in the late Qing Dynasty,ushered in a new stereotype of“ pictorial” that was palatable to both the literate and the illiterate alike. It merged“ news” and“ arts” ,leaving behind a detailed depiction of the different facets of the late－ Qing society as well as a record of the evolution of Chinese fine arts.
出处
《开放时代》
2000年第7期60-66,共7页
Open Times
