道教与韩愈的诗歌创作

Taoism and Han Yu's Poetic Creation

韩愈是儒家思想演进中的重要人物，是唐代反佛老的勇士，或因如此，他的诗歌创作也历来被人们重点从儒家的角度进行研究。然而，在唐代儒释道并举的时代氛围中，他的世界观、他的文学创作实际上呈现出相当的复杂性。他的散文主要体现了儒家的入世精神，而他的诗歌创作则受到道教的深刻浸染。大量的道教意象进入他的诗歌，丰富了其艺术的表现力；道教的思维方式在一定程度上影响到他诗歌创作中追求奇、险、怪的特色的形成；韩诗的浪漫色调、韩愈偏向古体的创作选择也与道教有某些关联。研究韩愈的诗歌成就及对后世的影响，韩诗与道教的关系是一个不可忽视的内容。

Hanyu's poetic creation has been studied mainly from a Confucian perspective. However, his worldview and literature creation showed certain complexity by virtue of his time in Tang Dynasty when Taoism, Buddhism and Confucianism were simultaneously promoted. His prose mainly reflected Confucian spirit of active social participation, while his poetic creation was deeply influenced by Taoism. His poems were filled with many Taoistic images which enriched the power of expression. The unique characteristics of his poems that pursue oddness and danger were influenced by the mode of Taoistic thinking. The romantic character of his poems and his preference to the traditional-styled poetry also had some connection with Taoism. So was his former poetic style. The relationship between Han Yu's Poems and Taoism could not be neglected when studying its poetic accomplishments and influence.