间接语言与梅洛-庞蒂的艺术观

Indirect Language and Merleau-Ponty's Viewpoints on Art

本文以法国著名哲学家,知觉现象学的创始人莫里斯·梅洛-庞蒂晚年未完成的著作《世界的散文》中专论艺术的一节——"间接语言"——为研究对象,通过阅读文本提炼大师梅洛-庞蒂的艺术观。在梅洛-庞蒂的眼里,艺术是实在性的展开,是存在者存在状态的彰显,是对生活世界的知觉显现的瞬间捕捉。对于"生活世界"的认识,以及艺术如何"表达"生活世界的观点,他迈入了前人从未涉足的领域。

This paper studies ＂indirect language＂,an art section in the unfinished monograph The Prose of the World by Maurice Merleau-Ponty,the famous French philosopher,the founder of perception phenomenology.Reading the texts,the author extracts Merleau-Ponty＇s artistic view.According to Merleau-Ponty,art is the state of being,the appearance of living things,the instant perception that is captured in life.In view of the understanding of life as well as the concept on how art expresses life,Merleau-Ponty first stepped in such field.