摘要
凤阳花鼓,作为明清最为流行的歌种之一,由于传播的载体、方式、形态不同,其在向全国各地、各艺术种类传播的过程中,在各地音乐品种中不同程度地留下了凤阳花鼓的"音乐基因"。本文由唱词考证凤阳花鼓在南方各地戏曲中的流变,从音乐地理学视角浅谈民歌传播中表现出的各地民歌同宗同源的特点。
As one of the most popular genres of music in Ming and Qing Dynasty,Fengyang Flower-drum Dance has entailed its ＂musical gene＂ to endemic music to some extent during its dissemination to all artistic genres across the country,due to different transmission media,means and forms.The textual research on the dissemination and evolution of Fengyang Flower-drum Dance to endemic opera in Southern China by lyrics is presented and the feature of sharing the same origin of endemic folk songs is also discussed in the light of musical geography.
出处
《阜阳师范学院学报（社会科学版）》
2013年第1期29-33,共5页
Journal of Fuyang Normal University：Social Science Edition
关键词
凤阳花鼓
南方各地
传播
流变
Fengyang Flower-drum Dance
South China
transmission
dissemination and evolution
