摘要
周庆云《琴史补》、《琴史续》作为古琴史学研究中的重要一环,承接北宋朱长文《琴史》,后为近代査阜西的《历代琴人传》编写奠定了基础?哂谐星捌艉蟮闹匾庖濉6杂谥芮煸啤肚偈凡埂贰ⅰ肚?史续》的研究是极具应用价值的。有鉴于此,文章拟以周庆云《琴史补》、《琴史续》为研究对象,将其放之于古琴史学研究的大框架中,通过与之前的《琴史》和之后的《历代琴人传》进行纵向的比较研究,包括琴人条目编写体例和同一琴人参考文献的比较,比较客观地、立体地呈现了《琴史补》、《琴史续》的学术价值和历史意义。
With Zhou Qingyun's Complement to Qin History and Continuation to Qin History as objects,framed in a grand skeleton of the qin historiography and compared with their predecessor Qin History and their successor Qin Players throughout the Ages(involving the formats of writing articles on qin players and the comparison between the bibliographies on the same player),all contribute to the objective and comprehensive representation of the academic values and historical significance of the Complement and the Continuation.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2012年第4期124-129,5,共6页
Art of Music(Journal of the Shanghai Conservatory of Music)