论新月诗派的新诗规范化运动

On the Standardization of New Poetry of the Crescent School of Poetry

本文认为 ,新月派针对诗坛的“混乱” ,以挑战的姿态提出建立诗美规范的目标 ,探索诗的本体 ,致力于抒情的艺术化 ,其诗的本体探索的焦点集中在“理性节制情感”的美学原则和诗的形式格律化的主张与实践。随着社会生活的迅猛发展 ,后来新月派呈现出向现代主义大潮归附的趋势 ,这都在一定程度上反映了新诗发展上的历史要求 。

This article maintains that it is in view of the “ chaos ' in the circles of poetry and in the challenging stance that the Crescent School of Poetry proposes the objectives of establishing forms for poetic aesthetics, explores the ontology of poetry, and pursues the artistry of emotional expression. The focus of the ontological exploration of poetry lies in the ideas and practices of both the aesthetic principle of “ rationalization of emotions ' and the rhyming form of poetry. With the rapid development of social life, the Crescent School of poetry later on assumed a trend of submitting to the wave of modernism, which to a certain extent reflects the historic requirement in the development of new poetry whose significance is not to be underestimated.