《溪山琴况》与我的音乐实践

The “Xishan Qinkuang” with My Music Practice

《溪山琴况》即指琴之状况,意态与况味情趣,二十四况分别从指与弦、音与意、行与神、德与艺等方面探讨了古琴音乐的美学问题,是古琴音乐美学思想的极大成果,书中提出了"和"、"静"、"清"、"远"、"古"、"淡"、"恬"、"逸"等24况,系统而详细地论述了古琴演奏中的技巧、风格等问题,被琴家视为必读的琴书之一。本文将结合《溪山琴况》与笔者的音乐实践,谈一些不甚成熟的见解。

＂Xishan Qinkuang＂ refers piano＇s condition,the Italian state and condition flavor taste,twenty-four conditions,respectively,from the means chord tone with Italy,the line with God,Germany and Art explores the aesthetic issues of guqin music isguqin music aesthetics thinking of the great achievements of the book made ＂and＂,＂quiet＂,＂clear＂,＂far＂,＂ancient＂,＂light＂,＂tim＂,＂Yat＂ 24 conditions,systemdiscussed in detail Guqin playing skills,style and other issues,regarded as one of the must-read book of pianist.The author contacts with the ＂Xishan Qinkuang＂ and his music practice,talks about his insights.