摘要
我国上世纪的著名电影导演费穆运用长镜头拍摄方法,开创了电影艺术表现民族风格的先河。费穆的长镜头的美学源于深厚东方文化底蕴,结合中国文化神似写意的表现手法,以长镜头"静"、"缓"和"平面化"的独特视听效果来深层次地刻画电影的主题,走出了中国电影民族化的全新之路。
Mu Fei,the famous movie director in our country of the last century,created movie art shows national style using the method of long shots.Mu Fei's aesthetics of long shots derives from deep flavors of oriental culture,which was combined with similarity in spirit of Chinese culture.The method can depict the theme of movie deeply by long shot's audiovisual effects of "silence","slow" and "planar",which has been leading a new nationalization road of China movie.
出处
《南通职业大学学报》
2012年第4期41-43,共3页
Journal of Nantong Vocational University
关键词
费穆
电影
长镜头
民族化
Mu Fei
movie
long shots
nationalization