论中古时期对于赋体本质的认识

Cognition About the Nature of Fu Literature in Medieval Times

从赋学理论发展的内在理路来看,中古赋论是仿习汉代赋论格局并沿袭其论题展开的,但在赋本体论的问题上,它较之汉代赋论更多地接触到了赋体本质。概而论之,一是从主体与客体的关系入手,认为赋是物感人心,体物探意的体现;二是从创作心理的角度来讨论,认为赋是赋家内心情志的流露;三是从赋文学艺术形式着眼,认为赋是"美丽之文"的代表。它们从不同角度显示了中古赋论重情、尚美的理论特征,并深化了人们对赋的文体本质和形式要素等审美特性的认识。

According to the principle of the development of the fu study,the criticisms on fu in Medieval Times imitate those in Han dynasty and inherit their subjects.However,they get more touch with the nature of fu as compared to those in Han dynasty.First,they begin from the analysis of the relationship of the subject and object of fu writing,holding the view that fu is the embodiment of the writer getting moved by objects.Second,from the prospective of psychology of creation,they believe that fu is the expression of the feeling and emotion of the fu writers.Third,from the perspective of artistic form of literature,they say that fu is the representative of the beautiful composition.In them,the characteristics of concentration on emotion and beauty are displayed and the cognition about the aesthetic feature of fu,such as its nature and form,is deepened.