试论江文也钢琴音乐美学风格的转变

Elementary Discussion on Changes in Aesthetic Style of Jiang Wen-Ye’s Piano Music

江文也(1910—1983)是中国现代音乐史上成就最为突出的作曲家之一。通过钢琴作品来透视江文也音乐风格的转变。江文也的音乐风格大致可划分为两大阶段:前为"西日交流",后为"中西合璧"。后一阶段又经历了两个层次的变化,首先是"中西交流",以《北京万华集》等为代表,然后是"中西合璧",以《乡土节令诗》等为代表。最后探讨江文也"中西合璧"钢琴音乐风格的文化成因。

Jiang Wen-Ye （1910-1983）,is one of the most outstanding composers in modem music history of China. The purpose of this paper is to gain a clear idea of the changes of Jiang＇s music style through the study of his piano music works. The changes of his music style can be generally divided into two periods. The former is ＂West-Japan Exchange＂. The latter is ＂China meets West＂. And the latter can be divided further into two stages. First,＂West-China exchange＂ , whose representative called ＂Beijing wanhua sets＂. The second is ＂China meets West＂ ,with ＂Local seasonal poem＂ as the representative. Towards the end of this paper,the author manages to find out the cause of formation in the cultural aspect of Jiang＇s ＂China meets West＂ piano music style.