摘要
本文从世界性和跨媒体的角度解析莫言的感觉空间,认为外来影响作用于莫言的,首先是一种感觉的解放,从一开始就与莫言对文学媒体性的独特认知相关。建立在色彩与图像基础上的莫言式的感觉放大,源于对现实的乌托邦式的救赎性补偿。而他对声音的异质性的探索,则是从文学的角度,对一个更为巨大的中国文化复调性的问题,进行跨媒体的回应。最终,莫言作品中的魔幻元素,在"增强现实"的意义上,与新媒体艺术的异曲同工,遥相呼应。
This paper approaches Mo Yan＇s sensory space from the perspective of global literature and interart studies. The foreign literature influences Mo Yan initially as liberation of senses, and it is closely linked with his unique understanding of the mediality of literature. Mo Yan＇s amplifying senses based on color and image can be regarded as the utopia redemption and compensation of reality. His exploration of the heterogeneity of sound is an interart response to a greater problem of polyphony of Chinese culture. Finally, the ＂hallucinatory＂ element in his works responds to the ＂Augmented Reality＂ of the arts of new media.
出处
《中国比较文学》
CSSCI
北大核心
2013年第1期1-10,共10页
Comparative Literature in China
