摘要
所谓抽象就是非具像的表达,它是指人类对事物非本质因素的舍弃与对本质因素的抽取,即从许多事物中,舍弃个别的、非本质的属性,抽出共同的、本质的属性,抽象是形成概念的必要手段。抽象艺术一般是艺术形象较大程度偏离或完全抛弃自然外观的艺术,它非客观描述自然世界,透过对象的形状和颜色以主观方式来表达,是以简化的方式来描述真实题材。现代抽象艺术大致可分两种:其一,对自然对象外观加以减约、提炼或重组;其二,完全舍弃自然对象,以纯粹形式构成出现,称纯抽象。前者有两种类型:一种以自己对事物的概念为创作依据,
Abstract art is the art that artistic image deviate the natural appearance in a large degree or abandon completely It describes the natural world through object' s shape and color in a subjective way,based on a simplified way to describe the fact.The aesthetic concept of abstract was first seen in the writings Abstraction and Empathy of the German philosopher Wilhelm Worringer.The approximate generation time of abstract sculpture maybe at the end of the 19th century and early 20th century after modern sculpture.World War II has played a crucial impact on the development of abstract sculpture.The largest contribution of abstract sculpture is French Marcel Duchamp and Germany Joseph Beuys.Abstract sculptures often require to cut off the link between art and life,and fight against the art theory of reflection and the similarity law of art and life,so as to digest the intelligible narrative and artistic style of realism,abstract sculptural form is indeed difficult to understand from the language of art,the requirements of knowledge particularity determine the selection of viewers.
出处
《雕塑》
2012年第6期47-51,共5页
Sculpture