摘要
阿尔贝托·贾科梅蒂晚期雕塑作品以孱弱、孤独的形态蜚声于现代雕塑史。批评家认为这些像"火柴棍"一样的形体所展现的迷茫和焦虑正是战后人类精神状态的真实写照。并用"焦虑""孤独"等诸多表达负面情绪的词汇为这些作品的风格盖棺定论。但按照其密友——哲学家萨特的观点,贾科梅蒂和他的作品其实是饱含希望的。本文将用《存在与虚无》中的一些哲学观点分析贾科梅蒂的雕塑作品,解读其中蕴含的关于生命与人性的积极思考。
Giacometti Alberto' s late sculpture works were famous for the weak and lonely appearance in modern history of sculpture.In critics' opinion,the confusion and anxiety that these 'match-look' bodies show us are the true portrayal of the human spirit after war.Scholars use 'anxiety' 'loneness' and many other negative emotions vocabularies when they comment these works.But according to his friends—philosopher Sutter's point of view,Giacometti and his works are full of hope.This article will use the philosophical viewpoints in 'existence and nothingness' to comment Giacometti' s sculpture,and unscramble the positive thinking of human life and sprit.
出处
《雕塑》
2012年第6期64-65,共2页
Sculpture
关键词
处境
空间
时间
environment
space
time