摘要
怪诞是古典美学的一种重要范畴,怪诞艺术是一种"另类"的古典艺术,它是作者激情越过理性藩篱后的产物,而激情的涌现则是作者不顺的生活处境所带来的内在压抑。从人格角度看,它反映的是作者最原始最纯真的"本我人格";从审美角度看,它是明末清初反传统审美思潮的必然发展。
Grotesqueness, an important category in classical aesthetics, is quite an "offbeat" classical art, which is produced when the writer's passionate imagination gets over the fences of reason. This pas- sion oft emerges from the authors inside repression resulted from his or her difficulties in life. While from the perspective of personality analysis, grotesqueness can be regarded as the expression of the author's most primitive and purest "self". And further from the aesthetic point of view, it isan anti--tradition aes- thetic trend of development in the era of the late Ming and early Qing Dynasty.
出处
《徐州工程学院学报(社会科学版)》
2013年第1期49-53,共5页
Journal of Xuzhou Institute of Technology:Social Sciences Edition
关键词
怪诞
生成心理
生活激情
审美品格
grotesqueness
formation psychology
passion
aesthetic features