侯孝贤作品与第三世界新电影的叙事策略

Hou Hsiao - hsien's Work with the New Film's Narrative Strategy of the Third World

作为台湾新电影运动的代表人物,侯孝贤电影的长镜头话语风格、反叛性的叙事立场和不断自我突破的创作生涯,所表现的精英与大众、艺术与商业的矛盾统一关系,为第三世界电影今后的发展,尤其是大华语电影的发展,提供了宝贵的经验教训。

As a representative of the Taiwan New Cinema movement,Hou Hsiao-hsien film' s long lens discourse style,rebellious narrative stance and constantly self-breakthrough creative career performance the unification of contradictions between the elite and the general public,art and commerce,Providing a valuable lesson Third World film future development,especially the development of the Chinese film.themselves off from the domestic general audience,but were detached from China’s film system,lost in the era of dilemma.In the new century,the sixth-generation directors collectively turn to creative transformation with the aim of satisfying the domestic tastes and meeting the needs of the market.They coordinate personal narrative with the mainstream value orientation,and pay special attention to emphasizing'human appeal'of the traditional culture,and making a trip of the Chinese meditating on 'emotion'and tracing roots.Undoubtedly,wmaer the background globalization,the sixth-generation directors,after many years of culture screening and selection,have shifted their attention from the perspective of westernization to the focus on the Chinese psychological'emotion'gene,which is an obvious return and promotion of the ethnic traditional culture.The middle-aged sixth-generation directors have become mature in terms of cultural mentality.