北宋馆阁书画鉴藏研究

Collecting and Appraising of Sanguan and Mige Calligraphy and Paintings in Northern Song Dynasty

北宋历代皇帝都非常重视书画收藏,建三馆秘阁以藏之,并把馆阁收藏的法书汇刻成帖流布天下。北宋以秘阁为主的鉴藏机制堪称完备,几乎各朝都要下诏搜集遗失在民间的图籍文玩,因此各朝的馆阁收藏较前朝都有显著的增加。以秘阁为主的馆阁收藏到宋徽宗朝达到了前所未有的顶峰。北宋馆阁书画墨迹收藏的极大丰富,为皇家修书、刻帖、书画著录提供了物质上的保证。

Northern Song emperors emphasized the collecting of calligraphy and painting by establishing Sanguanand Migefor storage of the works and organized compilation of masterpieces of calligraphy into copybooks that were later widely spread. The Mige-based collecting and appraising system in this period was well developed. During the reign of almost every Northern Song emperor, orders were given to collect ancient works of calligraphy and painting and the collections of Sanguan and Mige thus increased significantly. During the reign of Emperor Huizong, the Sanguan and Mige collections - with Mige as the dominant part - reached an unprecedented scale. The abundance and profusion of such collections provided rich materials for imperial book revising, copybook printing and calligraphy and painting description.