《文心雕龙》“情采”范畴释论

Interpretation of the Category of Affections and Bright Coloration in The Literary Mind and the Carving of Dragons

"情采"论是《文心雕龙》文学理论体系的基本观点之一,它集中体现于《情采》篇的论述之中,但全书的论文思想都以其为贯穿。学界有观点认为"情采"关系等于文学的内容与形式关系,这种理解与《情采》篇内容有一定偏离。按《情采》篇本文,刘勰依"情采"论文,是以阐明作家创作的真诚为文、以情驭辞为主旨。刘勰提出作家应怀有真诚的情感,反对竞逐新奇地夸饰文辞,这是"原道"和"宗经"思想在创作论中的具体体现。"情采"在《文心雕龙》中是贯通全书的一条主线,具有创作原则和批评标准的双重意义,刘勰通过"情采"关系的论述,意在矫正文坛上浮艳的风气,建立朴实刚健的文风。

The theory of Affections and Bright Coloration in The Literary Mind and the Carving of Drag ons is one of the basic viewpoints of literary theory system, which is reflected in the exposition of Affec tions and Bright Coloration, but the idea is through the whole book. The academic circle has the view that Affections and Bright Coloration relationship is equal to literature on the relationship between content and form, and this kind of understanding actually has certain deviation from Affections and Bright Coloration content. Liu Xie wrote thesis to elucidate the writers for the sincerty, with affection by the speech pur pose. Liu Xie proposed that the writer have a sincere emotion and opposed boasting style by new declama tory diction unexpectedly, which is the embodiment of ＂The Source in the Way＂ and ＂Revering the Clas sics＂ thought in the concrete creation. Affections and Bright Coloration in The Literary Mind and the Carving of Dragons is the main line with the double meaning principles of creation and critical standard. Liu Xie intended to rectify the gallant atmosphere in literary world and establish the plain vigorous style through the Affections and Bright Coloration relationship.