一部独立存在的美学史论——论王向峰《西方美学论稿》的研究方法

An Independent History of Aesthetics——On the Research Methods of The Draft of Western Aesthetics by Wang Xiangfeng

对于西方美学史的研究一直有偏重于引进和介绍、理论脱离实际、现实感和理论深度缺乏的现象存在。要改变这一研究现状,必须在研究方法上有所突破。王向峰的《西方美学论稿》用中西互渗、古今互证、理论和实践相结合的方法,使西方美学史研究有了新进展。他的研究不是单向的客观介绍,而是一种立体融会的论析呈现,显得学术视阈开阔,功底深厚,而且让史论有生动之气,易于接受,既具有学理性,又有启发性和现实性。作者在语言表述方面也有新的尝试,彰显出异于他人,也超越自我的呈现。更重要的是这种研究方法落实了吸纳西方美学遗产的真正目的,即"以我为主,为我所用",为建设中国特色的马克思主义美学提供了实质性的借鉴。

he history of Western aesthetics has emphasis on the introduction and presentation, in which the theory divorced from reality, lack of sense of reality and theoretical depth. There must be a breakthrough in the research methods to change this status. The Draft of Western Aesthetics written by Wang Xiangfeng uses the method of mutual infiltration with Chinese and Western and ancient and modern mutual verification and method of combining theory and practice, which makes the history of western aesthetics research progress. His research is not a one way objective presentation, but a stereo mix of theory analysis presented, which is combined with academic horizon and rich experience and makes the Theory of History vivid and easy to accept for being academic, instructive and realistic. The author makes a new attempt in the area of language representation, different from the others and also beyond the presentation of self. More importantly, this approach is going to implement a real purpose to attract Western aesthetic heritage： ＂In my control, making profit for me＂, which provides substantive reference to Marx ist aesthetics construction with Chinese characteristics.