中国古典舞的表现风格及把杆训练的独特性

An Analysis of the Style of Chinese Classical Dance and the Unique Characteristics of Barrer Training

中国古典舞在历经50年的实践发展和摸索创新过程中,有了一套属于自己的比较完善的训练体系。古典舞基本功训练把杆部分从单一能力训练到"身韵"出现后,由于认识到舞种审美的特性、民族舞姿和技术技巧的特性,把杆训练上升到了一个新的阶段,它不仅是对下肢的训练,同时注入了对上肢、躯干及动势过程的训练要求。根据古典舞舞种特性的需要,以中国古典舞审美意识为基点,在明确中国古典舞基训课属性的原则下,把杆训练必须为中间训练服务,必须为古典舞的特性服务。在整个训练体系中,它必定是身体形态、能力、幅度、韵律节奏的一个重要的根基点。

After 50 years of practice, exploring and innovation, Chinese classical dance has obtained its own set of considerably completed training system. Because of the recognition of dance aesthetic features, char acteristics of national dance and skills, Chinese Classical dance basic skills training, barter training rose to a new stage from single skills training to ＂Body Rhythm＂. This training is not only for lower limb, but al so meets the training requirement of the upper limb, trunk and movement. Based on the characteristics of classical dance, the aesthetic awareness of Chinese classical dance, and the clearing of the features of Chi nese classical dance Basic skill training, the barter training must serve the classroom training. In the entire training system, it must be an important foundation of body shape, capacity, range and rhythm.