摘要
伴随着社会文化多样性的发展和人们对色彩构成理论的认知,表现色彩抽象性价值的"随意赋彩"方式正在不断改变传统的"随类赋彩"理念。传统的随类赋彩观念,已经不能很好地满足时代发展的需要,当艺术家们对色彩抽象性价值的认知满足了内心宣泄的需要时,随意赋彩这一设色理念便应运而生。随意赋彩在绘画中不再是单纯的客观事物再现,而是被赋予了情感、想象、个性等一系列抽象性因素的艺术载体。
With the development of social and cultural diversity, and people's cognition of color constitution theory, the performance mode on color usage according to subjective perceptions is changing the traditional concept of application of colors according to categories which can't meet the need of development of era. As artist's cognition of color abstract value meet the inner vent when needed, the concept of color usage according to subjective perceptions is then produced. Such concept is not only the reproduction of objective things, but an art medium being given emotion, imagination, personality and a series of abstract factors.
出处
《皖西学院学报》
2012年第6期109-111,共3页
Journal of West Anhui University
关键词
随意赋彩
色彩
抽象性
color usage according to subjective perceptionsl color
abstract