摘要
黑格尔认为可以"肯定性的方式"或"否定性的方式"去表现崇高的对象。文章试图运用黑格尔的这种崇高表现理论来探讨老子在《道德经》中对"道"的言说方式,以及王弼对老子的"道"的言说方式的发展变化。王弼对老子的言说方式的发展是:通过他的"言义之辨",去"说"老子认为"不可说"之物。而这种说是一种"肯定性的方式"的说,也是一种诗意的说。从老子到王弼对"道"的言说方式的发展变化,从某个角度上,也说明了魏晋玄学为何没有走向宗教和哲学形而上学,而是走向"诗"和"诗化哲学"。
In Aesthetics, Hegel mentions that： Art can express sublime object in positive way and negative way. This paper tries to use this kind of theory to probe into Lao-tse＇ s speaking way about ＂Tao＂ and WANG Bi＇ s Development on speaking way of Lao-tse＇ s ＂Tao＂ . Through the ＂the argument on the relationship between language and meaning＂ , WANG Bi speak the Lao-tse＇ s ＂unspeakable things＂ . This kind of speaking is a positive speaking way and a poetic speaking way. The change and development on speaking way of ＂Tao＂ from Lao-tse to WANG Bi, illustrate that why Weijin Metaphysics did not move towards religion and metaphysics, but towards poet and Poetic Philosophy.
出处
《玉林师范学院学报》
2012年第6期57-61,共5页
Journal of Yulin Normal University
关键词
老子
王弼
道
言说方式
Lao-tse
Wang Bi
Tao
speaking swle
