从悲剧哲学到形象解救——朱光潜对尼采美学“体验式”整合

From the Tragedy Philosophy to the liberated Image——Zhu Guangqian’s experience type integration on Nietzsche’s aesthetic

尼采的悲剧哲学是西方现代哲学的重要组成部分。朱光潜引用并借鉴了尼采理论的"日神""、静穆"等思想,并与中国古典诗学进行双向阐释与整合。以此脉络,朱光潜成功建构了他的美学艺术学知识体系:以形象解救和情趣意象通达现实的艺术评判,将叔本华、尼采的悲剧哲学转化为中国话语言说方式的审美体验。朱光潜的美学思想和美学方法论在当代的文艺美学和比较诗学建设中,仍然具有较高的启示意义。

Nietzsche＇s Tragedy Philosophy is an important part of the western modern philosophy. Zhu Guangqian quotes and borrows from Nietzsche＇s theory such as Apollonian and Serenity, meanwhile, gives them bidirectional explanation and integration with Chinese classical poetics. Based on this context, Zhu Guangqian constructs his knowledge system of Aesthetic Art successfully, that is transforming Schopenhauer, Nietzsche＇s tragedy philosophy to the Aesthetic experience of Chinese language style, by art criti-cism of liberating image and interest image understanding of reality. Zhu Guangqian＇s Aesthetic Ideology and Aesthetic Methodology still have important implications in modern Literary Aesthetics and the construction of Comparative Poetics.