内容与形式的双重变奏——关于《蛙》的两组关键词

Double Variation of Contents and Styles——About two sets of Key words in “Frog”

莫言的小说《蛙》的情节主要是通过"负罪"与"救赎"来表现的,并且在此基础上又引出了原罪以及"救赎"的虚无等更深层次的思索。《蛙》在形式上采用了书信体与对话体,这不仅是莫言在形式上标新立异的追求,更是为了文章内容的表达,有利于对非公开内容的表达以及对自我的剖析。文章通过分析与《蛙》相关的两组关键词:负罪与救赎、书信体与对话体,从内容与形式两个方面来表现对《蛙》的理解。

Moyan＇s novel ＂Frogs＂, mainly performed through ＂guilt＂ and ＂salvation＂, further directs deep thought on original sin and the nothingness of ＂salvation＂. ＂Frogs＂, written in epistolary style and dialogue form, beneficial for the expression of the contents, non - public information and self - analysis, reflects Moyan ~ uncon- ventional pursuit. This paper analyses the keywords ＂guilt＂ and ＂salvation＂ related to ＂Frogs＂ in epistolary and dialogue form to express the author＇s understanding of ＂Frogs＂ from the two aspects of content and form.