有关音乐接受差异性及成因的探讨——以傅雷对贝多芬的接受为例

On Music Acceptance:A Study of Fu Lei' s Acceptance of Beethoven' s Music

文章以对音乐接受差异性的理论思考为基础,在中国贝多芬接受的历史背景下对傅雷的贝多芬接受成果进行分析比对,总结出其基本特征为"更充分的音乐本体关注"、"更具矛盾性的情绪体验"和"更系统的哲学反思",随后结合贝多芬音乐的特质,从傅雷的"期待视野"入手论证了其所具备的"丰富多元的艺术审美经验与知识"、"新的音乐审美需要"、"与贝多芬相近的性格气质"以及"主体性需要",是上述接受特征形成的具体成因。

Based on the theory about musical reception, the author analyzes Mr. Fu Lei＇ s acceptance of Beethoven＇ s music during the historical time when Beethoven＇ s music was introduced to China. The author demonstrates that Chinese audience＇ s acceptance of Beethoven＇ s music could have some historical features, which merits further research in the aspects of music psychology, music aesthetics, music philosophy and music history.