屈原与惠特曼:《女神》抒情的方式、动力及其限度

Qu Yuan and Whitman:Lyric Form, Power and Limitation of Guo Moruo's Goddess

郭沫若以《女神》为代表的抒情诗是中国新诗的重要成果,其在写作中所受到的多种影响值得探讨。其中,屈原辞赋的宇宙观和性别叙事对于郭沫若《女神》的想象力和抒情方式的构成有着直接的影响。同时,《女神》中的"抒情自我"在某种程度上又是极其"惠特曼式"的,因而能够对屈原的影响有着精彩的发挥。屈原和惠特曼的影响既使郭沫若的独特抒情得到了淋漓尽致的展现,同时也正是他的局限所在。

Guo Moruo＇s lyric poetry,represented by Goddes,was the distinguished achievement of Chinese modern poetry.Many factors have made influences on it,among which Qu Yuan and Whitman are the most important ones.As for Qu Yuan,his cosmology and gender narrative has a direct impact on the imagination and lyrical composition of Guo Moruo＇s Goddess.The same time,the ＂lyrical self＂ in Guo Moruo＇s Goddess is extremely ＂ of Whitman＂ in a way.Qu Yuan and Whitman ＇s impact helped Guo Moruo vividly demonstrated his unique lyric,and also was his limitation.